when you clean out your studio
and come upon a project that is more than 30 years old?
There are black and
white prints in carefully labeled files,
two scrapbooks with detailed annotations,
and two binders full of color slides.
what happens when that project
contains raw material that relates directly to one
of the hottest topics in Washington DC?
No, I'm not talking
about the impact or reality of an aging
population or racism
in our country.
I'm talking about
The Green New Deal and
all the controversy it is inspiring.
It turns out,
that in 1987, at the age of 21,
I traveled around the United States
on Amtrak, stayed with alumni from my college in twelve
different cities, and researched murals painted
during the Great Depression in Post
Offices and other public
The highlight was
visiting the small town of Farmersville, Texas,
photographing the mural in the post office and then, a few days
later, meeting the artist, Jerry Bywaters,
who created that work.
The New Deal
is about as good as it gets
when it comes to the convergence of
creativity and climate
were comprehensive, universal
and profoundly innovative. They impacted every
aspect of our country's infrastructure and re-inspired hope
for millions in the dream that once was
getting out of the
world I knew, was I able to see the
great promise of FDR's vision. At the same time,
I witnessed the reality that fifty years
later, that promise remained
elusive for many,
So here I am.
It's 8:30 on a Saturday night.
Calvin, the dog, is asleep at my feet and I am in
heaven, remembering a very long
Saturday night in the
I was changing
trains in Kansas City. The
Southwest Chief was six hours late.
There were no cell phones or laptop computers,
so we got to know each other in that pre-digital waiting-room
kind of way. We were more concerned for the
well-being of those involved in the
accident on the track, than
we were with being
provided hats for the kids. I got
out my camera and made friends. These places,
people and works of public art I was so
inspired by thirty-two years ago
are why I care so
When I say
that compost is like America,
I mean it. We are nothing without our diversity,
perseverance, and patience. We are also nothing without our audacity.
What the hell? Why not give it a try?
A Green New Deal might
be just be what
when I discover a project from
decades ago and my husband is out of town
and I'm feeling reflective?
A lot, I guess.
Lyn Swett Miller
reframing the narrative, one day, one image at a time
Let's ReFrame: By Degrees
A place where photographer Lyn Swett Miller considers wonder, joy and transformation in a complex world.