A single small plant, a gift in 2003, grows for 17 years, blooming regularly just before Thanksgiving, as if feeling our longing for color, just as the days darken and trees stand baren. It was a gift from my mother-in-law, its abundance reflecting her deep love for the keeping & caring of all kinds of plants. During this time of Thanksgiving, I am grateful for her and for this pink cactus. For me, photographing the spent blooms has also been an invitation to see the beauty embodied in decay, especially during the past 3 years, when she has been in decline. Last week, the pink blossoms lay beside stale bread & a banana peal. 3 years ago, those blossoms lay on fresh snow, mixed with spent leaves & flowers. I doubt Pam ever imagined the powerful impact that small plant with its pink blossoms would have on me. It was this image from 2017 that inspired me to begin sharing my work in new ways, including making a set of greeting cards with a variety of images from that year. This
first 'dried flowers' photograph is part of my original "Compost Composition" greeting card collection. There is still a limited supply available, which I hope to get out into the world. Please express your gratitude for the US Post Office by writing cards to those you love. Rumor has it that these images make people feel good. Here's a link. I believed & it was true. Wear a pair of black leather boots & you, too, will feel powerful & confident. It's been five years since I first purchased these on consignment, polished them up and faked it till I made it. They worked their magic. After wearing them a few times, I started to actually believe in my power - - not in a dominating way, but in a deep visceral kind of way that flowed from my fascia and radiated outward. These boots lead me to the edge of my known world.... If I step off the path, I might harm this ecosystem, but if I stay on it, I may never come to understand it. What if it's not even a binary question. Maybe it's about stance and learning to tread more lightly. And
maybe there is more power in a backward glance made with curiosity, wonder & the core of who I am, than there is in a pair of boots & a projection of false confidence. Colors. Textures. Shapes. Invitations to pay attention. Gorgeous Garbage. Mixed up and mingled. Curious about time & the need to document how I use it...Fear emerges: Will we have the time we need? Thoughts shift. If my daily calendar is empty, did I exist? If we live without record, do we exist? Or, is there something more powerful I don't yet understand that connects us to the spirit of things & not things themselves? Trump's election sparked my initial focus on compost. Since then, the pile has shifted from metaphor for America (a diverse soup), to an invitation to explore my relationship to just about everything and everyone...including myself. So I've been hanging out with tea-cups submerged in ponds and feeling the power of moss while in prayer. I wonder: Will I take this invitation to change, to emerge from this time with renewed interest in what's possible? Or will I hold on to what I know & to what feels safe because I am afraid? For me,
it's a choice, & fear is not an option. Sometimes a gal has to shake things up a bit. If, for example, she can't actually walk in other people's shoes, she can at least experiment with wearing her own in new & different places. Or, perhaps, not wear any at all. It turns out, for example, that feeling cold wet leaves beneath your toes while staring at your camera is quite luxurious. I've been needing these experiences this past week, because while those in power continue to belittle women's voices, & the voices of those without power, I struggle to find mine. The dress, like so many past beliefs is gone, blowing in the wind, beautiful but not useful anymore. And I recline on a wood pile, wearing those cool black boots from The Pink Alligator & a black shirt dress from Revolution. It all feels quite liberating... Each step in my own shoes brings me closer to what I love -- finding balance & power at the landfill & in my compost pile, each photograph transforming the discord & pain I feel in the world around me into something else entirely. Now the demitasse, filled with coffee, sits on the coffee grinds from which it came, connected and real. In times like this, it helps to stay real. And then I remembered how powerful I felt when we first installed our solar panels in 2010. For less than the cost of most new cars, we could actually generate power - - 56,000 Kwh to date, in fact. So I created this self portrait, wearing those same black boots & holding a mug of coffee made by a good friend. This is real. And this is real too. So after the photo shoot at the panels, I filled in my ballot & delivered it to Town Hall, feeling very very powerful. I hope that on November 3, 2020 you will vote as if your life & the lives of your children's children's great grandchildren depended on it. Because here's the deal. If you can, do. If you believe in your power, you can generate power, not just with solar panels and your vote, but with the very core of who you are. I'm a mover & maker, so I learned to embroider so that I could share Whitman's poem, This Compost, and the oh so powerful final stanza... Now I am terrified at the earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseased waste, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials and accepts such leavings from [us all]. -Walt Whitman, This Compost (From Leaves of Grass) Renewal is the operative word. Like all this stuff about demitasse & cotillion dresses & going deeper into who we are & what we believe. It's so much easier to explore when feeling powerful. Afraid
of what might happen this week? Be a tree & remember, if you can, do. Connect with the earth. Stand tall. Be Real. A dress worn to a party in 1984, re-imagined & transformed, becoming muse & metaphor in 2019. With text from Walt Whitman's poem, This Compost & embroidered ferns traced from actual ferns in my garden, it took over a year, for the dress and the woman to emerge - smiling. Always smiling. "I am terrified at the earth," but I drink my demitasse and smile. Really? Is that all? What an incongruous sham! But am I allowed to show fear or anger? Do I even know what these emotions feel like? And if I can't show them when no one is looking, will I ever be able to be real? I've buried them for so long, always hiding behind that smile. Don't get me wrong. I've only recently understood how beautiful it is. But just as the demitasse is a curious distraction, so is a smile a fabulous cover. It
was only after these exploratory photo shoots in Maine that I started to go deeper. If I am going to re-imagine my relationship to everything and everyone, including myself, I'll need to accept that it won't always be pretty. |
Lyn Swett Miller
reframing the narrative, one day, one image at a time Let's ReFrame: By Degrees
A place where photographer Lyn Swett Miller considers wonder, joy and transformation in a complex world. Archive
September 2021
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