Last week I saw
"Ansel Adams in Our Time,"
an exhibit at The Boston Museum of Fine Arts.
It was totally cool.
It is clear
that Adams witnessed
and understood a whole lot more
about the human condition than his reverent
landscapes had ever revealed to
me on their own.
this intimate portrait
of a Mexican boy, this stunning
close-up of a fern, and this panoramic
view of human development.
It gave me
the chills. Adams
understood our reciprocal
relationship with the natural world and
the fragility of our co-
There I was,
reflected in the glass,
paying attention to these imaginative
re-imagings of Ansel Adams's world. In Abelardo
Morell's exploration of the microcosmos and the macrocosmos
I saw the tenuous balance between individual
rights and collective responsibility
necessary in any
And I laughed
when I saw myself in Mitch
Epstein's "Altamont Pass Wind Farm."
So funny how we play games with
each other, with nature and
I loved Luis
Faglio's reflection about beach
restoration, how it celebrates the "hope
and the irony that we are able
to move sand."
to feel at home
in a large, meandering
exhibit in an even larger museum,
but the message of these works was close
to home. Yes, we can move sand. Yes,
lupine does grow after a fire.Yes,
we have the power to renew
not just ourselves, but the
planet as well.
Lyn Swett Miller
reframing the narrative, one day, one image at a time
Let's ReFrame: By Degrees
A place where photographer Lyn Swett Miller considers wonder, joy and transformation in a complex world.