Last week I saw
"Ansel Adams in Our Time,"
an exhibit at The Boston Museum of Fine Arts.
It was totally cool.
It is clear
that Adams witnessed
and understood a whole lot more
about the human condition than his reverent
landscapes had ever revealed to
me on their own.
this intimate portrait
of a Mexican boy, this stunning
close-up of a fern, and this panoramic
view of human development.
It gave me
the chills. Adams
understood our reciprocal
relationship with the natural world and
the fragility of our co-
There I was,
reflected in the glass,
paying attention to these imaginative
re-imagings of Ansel Adams's world. In Abelardo
Morell's exploration of the microcosmos and the macrocosmos
I saw the tenuous balance between individual
rights and collective responsibility
necessary in any
And I laughed
when I saw myself in Mitch
Epstein's "Altamont Pass Wind Farm."
So funny how we play games with
each other, with nature and
I loved Luis
Faglio's reflection about beach
restoration, how it celebrates the "hope
and the irony that we are able
to move sand."
to feel at home
in a large, meandering
exhibit in an even larger museum,
but the message of these works was close
to home. Yes, we can move sand. Yes,
lupine does grow after a fire.Yes,
we have the power to renew
not just ourselves, but the
planet as well.
How did I get here?
Why does it matter?
If you read my
post, "Why By Degrees"
you have some idea. But what's the
real story behind this blog and this site?
If you've known me for any length
of time, you've witnessed
A blog called
It sounded exotic. Ataraxy stands
for "serene calmness." I needed that. For
a bunch of ancient Greeks, Ataraxia was a lucid
state of robust equanimity. Heaven.
That's me. In the garden.
I wanted to share.
Then I found
Rufus and George.
Why not let them speak for me?
Our global problems are all about consumption
and our need for objects of all kinds. What insights could
a ruffled 50-year-old Steif Chimpanzee and a broken
china pug share about our relationship to all
our belongings, big and small?
So I briefly had a blog
called "Rufus &
a problem, though.
I had more to say than Rufus &
George understood, about how stuck we seemed,
caught between 20th century expectations and 21st century
realities. It hit me when I forgot to pull up instead of push down when
I peed. It's so confusing, changing a habit I'd had my entire life.
Flush the toilet. Push down. Until now, when everything
was a hybrid. So I created a blog, a business,
and a book, all called "Our
But I was stuck.
Why would anyone care?
Who was I behind the blog, book
and business? What was I trying to prove, and to
whom? So I got help. When my new business coach asked
me those same questions, I knew, in my heart, that I
was a photographer. When she asked me what I
loved, I knew -- compost and being outside
and noticing light and texture and
beauty. So I ignored all I had
been doing, got my
I kept exploring,
while taking small steps
forward. A web site. A business card.
A trip to New York City to photograph compost
& a few months later, have a 'pop-up' show where
I stood by my work and told people I was a
photographer and that I was into
compost, which kept inviting
me to go deeper, beyond
the soil, and into
I kept diving.
Saboteurs yacked on
my shoulder, but I kept going.
A visit to my sister in Idaho gave me time
to process. Compost, it seems, has the answers for me.
Pay attention. Be patient. Honor micro- dramas.
Allow for the mess and complexity
contained in any story, even
my own. Change "by
My work inspires joy and
new ways of being by celebrating this
magical convergence of creativity and climate action
that I experience every day. Who knew?
Welcome. This is going to be fun.
Maybe we'll meet in person
some day and you can
share your story
So that's how I got here.
It matters because you matter and your
story matters. Even if, like mine, your journey includes
false starts and stops and takes you this way
and that, it's relevant and of value.
Because, in a democracy,
we all matter.
Happy New Year!
but I decided to embroider
excerpts from Walt Whitman's
poem "This Compost." While he may
have written about dead corpses following
the American Civil War, I re-imagined
his words and considered waste
instead, and the power of
the earth to renew
We have that
same power. Every
January 1st to begin again.
Whitman's is an optimistic poem
reflecting our innate American optimism.
I celebrate this poem not just because
2019 is the 200th anniversary of
Whitman's birth, but also
because his message
is more important
now than ever.
stitches might be uneven
and the text written on an old pillowcase
may be awkward, but seen from afar, the colors
are bright, cheerful and make me want
to smile. Optimism is all I know.
So here we come 2019,
on stitch at a time...
my online climate
'coaching' class and am
petrified. What if no one is
interested or needs what I have
to offer? But I show up,
one week, one stitch
at a time and
know it is
I came home
from Mexico to find
that my anxious dog had
peed all over the sheepskin rug
I stand on to write these blog posts.
Frustrated? You bet. But what's a gal to do?
A few squirts of soap, some aggressive
massaging of the fleece and some
patience while it dried was all
that was needed. This is
what I tell myself.
New Year. New
So here we are.
It's 2019. The UN Climate
Report says we have twelve years.
Our job is to show up, support each other and
get the job done. For me, that involves
persistence and patience and a
whole lot of bravery as
I creatively try new
"Behold this Compost! behold it well!
Evelyn R. Swett celebrates
the convergence of creativity and climate action to inspire joy
and new ways of being.
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